KOFFIA 2013: My Experience by Ben

I am currently writing this last blog post for KOFFIA 2013, when I should be reading a chapter of an Honours cohort member’s thesis. That being said, since I have been unable to attend any of the films bar ‘A Werewolf Boy’ on Opening Night, I think I can express some disappointment regarding the unfortunate clash of schedules. 

On the other hand, the optimist in me points out I was at least able to attend one film – and a very good one at that. I did not know that Korean cinema would gather this much attention in Sydney, let alone in Australia so far from the amount of interest generated in Brisbane. I was aware of the interest towards K-Pop due to the increasing number of non-Korean friends asking me about learning the Korean language, but I was not expecting this much attention and dedication towards Korean films. This is something incredible to see and I hope the Korean Cultural Office and other organisations will sustain and increase the momentum gathered thus far.

KOFFIA 2013: My Experience by Paul

Writing this on the last day of this years KOFFIA, it seems like a good time to reflect on the barrage of cinematic goodness that has spread itself along Australia’s East Coast over the last few weeks.

KOFFIA for me also stands as a kind of moment in time reference point for my own life in Australia, when for the 2012 version of the festival I found myself taking on blogging duties, as well as volunteering to help out at the movie screenings. At that point in time I’d only been living in Australia for a few months, having come here after spending over 3 years living in Tokyo, Japan.

There were of course a lot of differences between Tokyo & Sydney. There, I could regularly watch Korean movies on the big screen (even if it meant struggling through the Japanese subtitles), whereas here I hadn’t seen a single one. There I’d regularly meet my friends in Tokyo’s Koreatown, a whole suburb of streets and alleyways jammed full of restaurants and bars which even had its own train station, whereas here my friend took me to a strip the length of a single block on Pitt Street and announced “Welcome to Koreatown!” There I was paying to take Korean lessons that were being taught in Japanese, whereas here I discovered I could take them for free in English! & of course there I’d regularly take the less than 2 hour flight to Seoul on a long weekend and be back in Tokyo 72 hours later with an aching liver, whereas here suddenly Seoul was over 10 hours away and a whole lot more expensive to get to.

KOFFIA 2013: My Experience by Genesis

An early morning flight to Korea looms as I write this reflection. Funny, this feeling - that somehow through the films I viewed at KOFFIA 2013 I feel as if I’ve already been to Korea – from ancient Joseon to modern day Seoul! Is it safe to say that when I step out of Incheon everything will feel alien-ly familiar? I hope so, even though this will be my first time to the land of the Morning Calm.

I’m a K-pop, K-drama and K-fashion enthusiast – adding K-film to my list of K-enthusiasms was just covering another base I hadn’t previously. This opportunity came through artistic director Kieran Tully and fellow blogger Raelene to whom I’d like to express my deepest gratitude to. I also extend that to the KCO and the entire team behind KOFFIA. It is so great that such good cinema has become readily available here. I had only experienced Korean cinema once or twice before but after KOFFIA 2013 I can never see Korean cinema the same way again. I believe the expression is “broader horizons”!

Review: The Last Stand (2013)

It’s safe to say that people who went to watch ‘The Last Stand’ fall into two categories – those who were exited to see Arnold Schwarzenegger’s big screen comeback in a lead role, his first in 10 years, and those who were excited to see Kim Ji-woon’s English language Hollywood debut. A brief look at the user reviews on the likes of IMDB will tell you which category the majority of people fall into, with endless headers along the lines of “He Said He’d Be Back!” littering the lists of comments.

For myself of course, as someone who happily admits to Ji-woon being his favourite director, it could have been Arnie or anyone else for that matter, I’d be there! I was however a little late to the party, and was a little concerned that in only its third week of theatrical release, the movie had completely disappeared from the cities cinema screens, forcing me into a trip to the suburbs to check it out. Even then, the total audience members for the 7:00pm screening could sadly be counted on one hand. But still, it was a Ji-woon movie in the cinema, my third after watching ‘A Bittersweet Life' (달콤한 인생) in the UK & ‘I Saw the Devil' (악마를 보았다) in Japan, so I was a happy guy.

KOFFIA 2013 Review: Pluto / 명왕성

Last year, I visited Korea for the first time and made it a priority to attend the Busan International Film Festival after hearing much about it through social media and friends. The experience was out of this world - never had I been to a festival that an entire city was in tune with in every kind of way. 

There were two films that stood out to me the most amongst all the Korean films I saw at the festival. One was Kim Ki-duk's outstanding film Pieta, which was also included in the 2013 program of KOFFIA, an excellent comeback from the elusive Korean director. The other film was from a relatively new director and a new force to be reckoned with in the Korean film industry, and was possibly the biggest surprise for me at the festival. I had not heard anything about the film, or the director, and was going with gut when I decided to grab a ticket to see it.

The film was Pluto, directed by ex-school teacher turned filmmaker Shin Su-won whose short film Circle Line (also screened as part of the K-Shorts Showcase at KOFFIA this year) was awarded the Canal+ Prize at the Cannes Film Festival in 2012. For a film that was made without the support of large funding bodies, Pluto is an incredible achievement for the kind of film it is and I would gladly tell you why.