We welcome another new member to the blogging team today, with Sam McCosh delivering her first article on PAJU. If you are interested in joining the team just drop us an email at email@example.com. Otherwise if you are in Sydney come along to the Korean Cultural Office's free weekly film night, Cinema on the Park, each and every Thursday from 6:30pm. Did I mention its FREE! Read on to see what she thought of the film!
Russell Edwards at Cinema on the Park
Paju (파주) is an unconventional film which tells an emotionally-rich story about the relationship between two compelling characters. I was lucky enough to get the opportunity to see this film at 'Cinema on the Park', which is hosted by the Korean Cultural Office. This film was playing as part of a month of films which share the theme of 'dramatic relationships'. The film was introduced by Variety Magazine film critic Russell Edwards, who offered audiences some insight about the film and a way to appreciate the film's complex nature.
We first meet Choi Eun-mo (Seo Woo) as she stares absently mindedly out of a taxi window while the driver makes unneeded and unwanted conversation. She looks sad and reflective, and we soon come to find out why. Eun-mo is returning to her hometown of Paju after an extended period away travelling in India. Paju is not really somewhere that she was happy, and it’s certainly not a joyful homecoming. Before we get to find out why she has returned the film jumps back 8 years an introduces us to Kim Joong-sik (Lee Sun Gyun). Although it’s not initially apparent who he is, we soon learn that he becomes Eun-mo’s brother-in-law, and the film is going to centre around the relationship and interactions between the two.